Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

My first experience attending SXSW was like running around the most generously stocked international grocery store with a bottomless cart and an unlimited budget. But for my musical ears.

Each of the artists in today's trio would make a wonderful guest on World Cafe by herself. Sara Watkins, Sarah Jarosz and Aoife O'Donovan each have stunning solo albums. Many recognize Sara Watkins name from Nickel Creek, the band she started with her brother and Chris Thile.

I moved from my hometown of Toronto, Canada to Philadelphia to work at WXPN's World Cafe in October 2016. Remember October 2016? The election cycle had reached fever pitch,so there was a lot of political coverage to keep up with and make sense of. At the time, the NPR Politics Podcast was releasing daily dispatches that became part of my essential audio diet.

It takes a long time to fly from Australia to the U.S. Depending on how many stops you have and what your final destination is, you're probably looking at 24 hours plus. And similarly, it can take a long time for Australia's finest musicians to fly across the airwaves in the U.S.

Ever since he released his 2009 solo debut Pink Strat, I've always thought of Afie Jurvanen, better known as Bahamas, as a captain of cool breeze sound — easy, inviting and a little sideways. But this time around, Bahamas recruited the rhythm section featured on the album Black Messiah by D'Angelo and the results on his latest album, Earthtones, rest firmly in a funky pocket of groove.

I gotta say I had a bit of a hard time holding it together during this session. Sitting in a room two feet away from Glen Hansard as he plays an acoustic guitar is transcendent. When we were talking, he was this warm, gregarious storyteller, but as soon as he started to sing, Glen summoned so much force and conviction and blood, that I forgot there was anything else in the entire world. And you'll hear that in my reactions.

There is a lot that's disarming about Sunny War. She has that kind of raw, rare talent of a guitarist that stops you in your tracks.

You know how some CDs come with a warning label reading "not for kids" or "explicit material"? Ann Powers' latest book Good Booty: Love and Sex, Black and White, Body and Soul in American Music should come with its own warning label – "Warning: read this book and you will never hear music the same way again!"

Montreal's The Barr Brothers are an indie folk ensemble with a twist — a big twist! Brad Barr sings and plays guitar, his brother Andrew plays drums, and the twist? That's Sarah Pagé, who plays a harp taller than our 6'2" producer, John Myers. Sarah's instrument is rigged with pickups and effects pedals normally used for electric guitar.

If you've listened to the Cafe for a while, you know and hopefully love today's guests. Calexico is a band whose music is a jangly desert mashup of Western Americana, Latin influence and any other sounds, instruments or collaborators they've picked up along the trail. It's no wonder they're perfectly named after a border town between California and Mexico.

"If you're into Bob Dylan, Bruce Springsteen, Dr. John or Louis Armstrong and play almost any instrument under the sun, let's jam!"

Depending on where you're spending the winter, maybe you've already trudged to work through the bomb cyclone or taken an entire season to walk to your car on account of freezing rain and slippery ground. Maybe you're like, "Meh, winter. I live somewhere warm."

You've been here before. You're staring at fresh cookies through the oven door, they smell so good, you want so badly to eat them, but you have to wait until the timer goes off. And they cool down. Today's session, for me, is like those cookies.

First Aid Kit came through World Cafe headquarters in October. But we had to wait until today - the day their new record Ruins is out — to share it with you. Ding! Cookies. Are. Ready.

Brace your abs for an emotional gut-punch. Brandi Carlile is here with bandmates and co-writers Tim and Phil Hanseroth. Together, they have a new album called By the Way, I Forgive You. It was recorded at Nashville's legendary RCA Studio A, produced by Dave Cobb and Shooter Jennings. And it's filled with emotionally stirring songs — some that are massive and some that are stripped bare.

We're lucky to have a lot of remarkably talented artists deliver impressive performances here at World Cafe (ok, humblebrag). But our whole team was pretty floored by Lizz Wright. The combination of Wright and her band (Bobby Ray Sparks on organ, Brannen Temple on drums and Chris McQueen on guitar) was effortless and elevated, in a way that's hard to articulate in words, but you can experience in a session here.

The night before St. Vincent came in to World Cafe, she played a show at the Electric Factory in Philadelphia. And when I say she played a show, she really played a show.

There's a danger, when an artist has as compelling a story as Margo Price has, that the personal will overshadow the musical. So let's just get one thing straight first: Margo Price writes really beautiful songs. And boy-oh-boy can she sing.

You can hear a sense of wandering, the wistful shuffle of no fixed address, in Bedouine's music. She was born Azniv Korkezian but chose the artist name Bedouine from the Arabic-speaking Bedouin people, who wander the Middle Eastern desert as nomads.

So many of us have spent Christmas with Elvis' music, but Priscilla Presley actually spent Christmas with Elvis. Priscilla shares heartwarming memories of holidays with the King, from the first time they ever exchanged gifts to their tree-trimming traditions as a married couple living at Graceland, to how that changed when Priscilla gave birth to their daughter, Lisa Marie, and how Priscilla feels when she hears Elvis' music now.

Lukas Nelson and Promise of the Real make exactly the kind of music you would hope for from a new generation carrying the country-rock torch — music with guitars muscular enough to reach the back of the bar or tender enough to play for fireflies on the front porch. And there are lyrics with plenty of humor, heartache and just plain heart.

Michael McDonald's distinctive voice is woven right into the fabric of popular culture. You don't need to hear his name to know it's him singing in any one of his many different musical incarnations.

In this session, we slip into the world of Emily Haines and The Soft Skeleton. Haines is the lead singer of the electro-tinged rock and roll band Metric, but in her solo work you won't find any wailing guitars or radical synths — the spotlight shines right on her voice and the work of art that is her songwriting.

Hear Emily Haines, solo on the piano, in the player above.

When Rory Graham was 19 or 20 years old, he sang in public for the first time. And he didn't really think there was anything special about his voice. Turns out, the world disagrees.

Ever hear a song that you know you've heard performed by another artist and wonder: Who did it first? Well, we are tackling that question in an ongoing series, "Me and My Shadows," where we pair original songs with covers that might just blow your musical mind.

Some covers bring together artists from completely different sonic worlds, like The English Beat's ska take on Smokey Robinson and The Miracles' Motown classic "Tears of a Clown." Other covers make you hear a song you've heard many times before in a totally new way — see Aurora's take on David Bowie's "Life on Mars."

What do you get when you cross an Australian post-punk drummer with a lute player who is the descendant of Greek musical royalty? Easy: Today's guests Xylouris White!

Xylouris is George Xylouris, from a famed family of musicians based in a mountain shepherding village on the Greek island of Crete. George has been a professional musician since he was 12.

White is Jim White, an Australian post-punk drummer with a deft touch, able to go from thunderous to tender on a dime. Jim held it down in the instrumental trio Dirty Three, and has also backed Cat Power and PJ Harvey.

Luna On World Cafe

Dec 4, 2017

Around the time Luna announced it was breaking up back in 2004, lead singer Dean Wareham said, "This is what bands do." But you can bet any fan of Luna's dreamy, moody sound was secretly hoping they would undo it. And after about a decade, Luna did. (Or: undid.)

Since Fleetwood Mac released its debut album nearly 50 years ago, there have been many incarnations, comings and goings, couplings and uncouplings. But here's a new combination — Lindsey Buckingham and Christine McVie have released a record together!

Dhani Harrison's new record, IN///PARALLEL, feels a bit like walking through a lucid dream. It's complex and artful, and at first listen, maybe a little dark. But as he explains, he uses the dark to inspire catharsis, not fear. Dhani also told me he writes lyrics with caution: "You have to be careful with — with the words you use in the daytime, I think, because the English language, I think, is probably just a big magic spell, and when you say things they can tend to manifest."

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