Stephen Thompson

It's only rolled out a few songs so far, but the Brooklyn band Frances Cone has already carved out a distinct sound — a sweet slow burn in which songs build gradually and carefully into something truly grand. The gorgeous "Unraveling," from a forthcoming album called Late Riser, really gets at what works about Frances Cone's music: Each cooed "ooooh" is in the exact right place, weaving together to form a warm and hypnotic tapestry.

The moment you get a look at ALA.NI behind the Tiny Desk, you'll notice it in the foreground: The singer asked us to record her set using her vintage RCA Ribbon microphone, which she carries around in a small briefcase between shows. It's a security blanket, a bit of visual branding, a statement of stylistic intent — and, not for nothing, a big reason ALA.NI's voice carries with such warmth and intimacy.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Last month, Mutual Benefit released an album-length cover of Vashti Bunyan's 1970 classic Just Another Diamond Day — an act of tribute initiated as part of an ambitious series by the website Turntable Kitchen.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

For about a minute, "You're Like Me" sounds as if it's being played in the next room — you could be hearing it through a wall, or maybe your headphones aren't plugged all the way in. Then, it comes roaring into focus: still compact and compressed, still just a guy playing most of the instruments in his bedroom, but just as thunderous as the wiry rock 'n' roll on which Ted Leo first made his name.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Before a month-and-change ago, Slowdive hadn't released an album in 22 years. So you'd be forgiven for watching the band perform "Sugar For The Pill" and struggling to pin down what era you're in — especially since NPR Music plopped the group in a playfully retro Brooklyn shuffleboard parlor for the occasion.

The Lone Bellow's earnest and magnetic folk-pop was built to shake the rafters: It's hooky and rousing and performed with absolute commitment. It has been since the beginning, from the band's charming, self-titled 2013 debut through the Aaron Dessner-produced Then Came The Morning two years later. And, if a new song called "Time's Always Leaving" is any indication, it'll carry on through the release of The Lone Bellow's third album, Walk Into A Storm.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In Big Thief's best-known song, the title track from last year's Masterpiece, singer-guitarist Adrianne Lenker sums up a lifelong relationship in just a few simple minutes. Shrouding her sweet voice in bold, blustery rock 'n' roll, complete with a guitar solo, the song serves as a testament to sturdy bonds. It's warm and empathetic, and catchy as anything.

Matt Pond PA has been churning out charming power-pop songs for nearly 20 years — a run that will extend to 12 full-length albums when the band releases Still Summer on August 11. Its arrival will mark a major milestone in a long and creatively fruitful career: Once tours for the new record have run their course, singer-songwriter Matt Pond is effectively breaking up the band, dropping the "PA" and carrying forward with new projects.

Musicians cover each other's songs often enough that the results rarely qualify as news. But covering a whole album, song for song? That's a labor of love ambitious enough to warrant attention.

Saintseneca writes dark, rivetingly mysterious, painstakingly crafted songs that somehow retain a sense of mischief. Even when the Ohio band incorporates exotic instrumentation into moody ruminations on consciousness, the result can still convey all the pleasures of a three-minute power-pop anthem.

When the Texas band Bedhead got the box-set treatment in 2014, the reissue provided an excellent chance to revisit the recorded legacy of Matt and Bubba Kadane, who've spent the last quarter-century experimenting within a precise, deliberately paced sound.

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