Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

When Future Islands singer Samuel T. Herring performs, he mixes vein-bulging intensity with a curious kind of smoothness — the kind that, when it accompanies sweet dance moves, can launch a thousand GIFs in a single hip-sway.

Jack White has made countless contributions to rock 'n' roll: with The White Stripes, with The Raconteurs, with The Dead Weather, as a label owner and musical preservationist, as a solo artist.

It's hard to imagine a band that abhors a long, throat-clearing windup more than The New Pornographers. Listen to any of the group's seven albums, and each bursts out from the jump with a blast of pure, blissfully irresistible power pop.

San Fermin was conceived as a vehicle for the chamber-pop compositions of Ellis Ludwig-Leone, whose flair for ornate arrangements helped make the band's 2013 debut a complex and intoxicating concoction. On that self-titled record, the mouthpieces for Ludwig-Leone's vision — singer Allen Tate, plus Holly Laessig and Jess Wolfe of the band Lucius — helped give San Fermin's sound a broad emotional palette.

For more than a decade, the members of The Builders And The Butchers have specialized in a kind of white-knuckle Americana: Their acoustic folk-rock sound is shot through with nervy, hellfire-and-brimstone intensity.

It's been about 10 years since Irish singer-songwriter Fionn Regan made his U.S. debut with The End Of History, a Mercury Prize-nominated collection of soft-spoken acoustic folk-pop songs in the tradition of Damien Rice and Nick Drake.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

When PWR BTTM takes the stage, it doesn't take long to figure out what you're going to get. From the first glitter-smeared seconds of the set-opening "Silly," the band came to shred and swagger with infectious joy, complete with backbends and solos and spangly outfits — at least one of which wouldn't survive the band's set at Stubb's BBQ in Austin, Texas, recorded live for NPR Music Wednesday night.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

The combination of an acoustic guitar and the human voice can trigger powerful emotions in countless ways, but it's pretty remarkable when they come together in ways that sound novel. "Goji Berry Sunset" — the first single by Naomi Hamilton, a singer from Northern Ireland who goes by the name Jealous Of The Birds — is made from some of the sparest ingredients imaginable; it's just a gently plucked acoustic guitar, a whistled hook and Hamilton's layered vocals. But those simple sounds dig deep.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Austrian-born U.K. percussionist Manu Delago specializes in the Hang, a cousin of the steel drum that produces soft, muted, subtly shimmering tones. The instrument provides a perfect counterpoint to the gentle production effects of Delago's new third album, Metromonk, on which a sense of haunted, worldly mystery never gets in the way of approachability and warmth.

The Austin 100

Mar 1, 2017

Every year, the SXSW Music Festival serves a daunting, days-long feast of sounds from around the world. And once again, NPR Music's Austin 100 is here to distill it all down to a digestible meal of music discovery.

Picked from a playlist that spanned more than a hundred hours, these 100 songs represent a broad and exciting cross-section of SXSW's many highlights. Here's how you can listen:

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

February isn't exactly the best month, what with all the cold weather, limited daylight, copious awards shows, New England Patriots Super Bowl victories, and Valentine's Day. So you'd be forgiven for thinking, "The only thing that could truly articulate my pain is a band in which puppets sport eyeliner and sing a song called "I Am Sad And So Am I."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Cloud Nothings began when leader Dylan Baldi was a freshman in college back in 2009, and the Cleveland band's early recordings capture the bratty scrappiness of seemingly directionless kids.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In a career that spans more than 20 years, Spoon has perfected a kind of ruthlessly airtight efficiency: Every few years, the Austin band returns with a new batch of perfectly compact three-minute pop-rock songs. As consistent as it is beloved, Spoon never fails to hit its mark — delivered forcefully, and with hooks for days.

As the lead singer and songwriter in The Hold Steady — and, before that, Lifter PullerCraig Finn filled the air with a frenetic flood of words, singing vividly about antiheroes who seek escape and redemption in the form of drugs, religion, rock 'n' roll and many pursuits in between.

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