Robin Hilton

When Tracy Chapman released her self-titled, debut album back in 1988, the 24-year old singer was widely praised for her acute observations on the struggles of working class Americans. The album was political and, for some, possessed the kind of anthems that could spark a revolution. Not long after releasing her album, Chapman sat down with NPR's Margot Adler to talk about both the singer's growing popularity and her battle against stereotypes as a black woman with a strong voice in the predominantly white world of modern folk.

Singer Kevin Morby is back with a followup to last year's much beloved full-length Singing Saw. The new album is called City Music and is due out June 16 on Dead Oceans. Morby has also shared the record's first single and lyric video, the moody and transfixing "Come To Me Now."

When Bob Boilen and I sat down to record this week's podcast, we were a little bleary-eyed after staying up late the night before to see the The Flaming Lips' show at the 9:30 Club here in Washington, D.C. But — between the band's confetti cannons, laser light show and the electric, rainbow-colored unicorn that frontman Wayne Coyne rode into the audience (I'm not making that up) — it was well worth the loss of sleep.

It's been nearly six years since the Fleet Foxes released any new music. But Tuesday morning the group announced it's got a new album coming in the spring called Crack-Up. In making the announcement, frontman Robin Pecknold shared a lyric video for a nearly nine-minute song called "Third of May / Ōdaigahara."

On its latest song and video, "Night Skiing," the instrumental rock group L.A. Takedown confirms that the guitar solo is alive and kicking.

It's perhaps the greatest immutable truth: Nothing lasts forever. Despite the most valiant efforts to hold on, all things pass, from the highest highs to the lowest lows.

Dirty Projectors frontman David Longstreth decided he couldn't wait any longer.

Spoon's latest video is a surreal, black-and-white tale shrouded in mystery. Nearly everyone in this three-and-a-half minute, funk-inspired jam wears a creepy mask or some sort of ogre costume while riding bikes, dancing, chasing and intermittently accosting one another. It's anyone's guess what it's all about, but it's a curious and compelling watch.

"I don't want to be the kind / struck by fear, to run and hide / I'll do better next time."

The more I hear from Laura Marling's upcoming album, Semper Femina, the more I'm convinced, over a career of intimate and beautiful work, that it's the most inspired, beautiful and fully realized thing she's done. The latest cut she's sharing from the record is "Next Time," a perfectly rendered vignette that captures the moment when solitude can lead to enlightenment.

When the Los Angeles-based rock group Giant Drag released it's debut full-length, Hearts And Unicorns, in 2005, fans were immediately taken by frontwoman Annie Hardy's playful and fearless crush of the innocent into the profane. She intentionally subverted her image - pigtails with large, bashful eyes and an almost childlike voice - with brawny guitar noise and provocative songs like "You're Full of S*** (Check Out My Sweet Riffs)" and "YFLMD." (I'll let you look up that second one).

When Bob Boilen and I sat down to record this week's podcast, the Presidential inauguration and weekend marches were still fresh on our minds and the songs we ended up playing this week seem connected.

Hints have been trickling out since late in 2016, but the official word is here: The latest album from Dirty Projectors is self-titled and due out Feb. 24 on Domino Records.

On this week's +1 podcast, singer-songwriter Sharon Van Etten talks about how and why she made the surprising decision to take an acting role on the Netflix series The OA.

Laura Marling's latest taste from what may be her best album so far is "Wild Fire," a beautiful, breezy reflection on the universal search for identity and purpose. It's an immediately arresting mix of spare, fluttering percussion and gospel harmonies with gently strummed acoustic guitars. Marling lets the song breathe and slowly open up. It feels like the dawn.

The Joshua Tree, the album that made U2 global megastars, turns 30 this year. To mark the milestone, the band will perform the seminal album in its entirety at several live performances scheduled throughout the year, including a headlining spot at Bonnaroo in June.

The Shins are back with the group's first new album since 2012's Port Of Morrow. Heartworms is set to drop on March 10 on Aural Apothecary/Columbia Records. In making the announcement today, the band shared the joyfully infectious pop cut "Name For You" and a lyric video.

Clap Your Hands Say Yeah is back with an incredibly infectious new song called "Fireproof." It's the first single from the band's upcoming full-length, The Tourist, due out Feb. 24.

"Fireproof" is a thumping, synth-heavy look at how naive people can be. "I know it's hard to win," sings frontman Alec Ounsworth. "But how could I have thought that we'd ever lose."

The Jesus And Mary Chain will release a new album next March, nearly 20 years after the band's last full-length release, 1998's Munki. The new album is called Damage And Joy, and our first taste of it is the grimly-titled but relatively poppy single, "Amputation."

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