Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

The strange creatures that chase after a young girl in Fall Out Boy's new video, for the song "Young And Menace," are like demented versions of the beasts from Where the Wild Things Are. And like that beloved children's story, the whole tale that unfolds is like a surreal dream, though decidedly much, much darker.

You'll need a few viewings to make any sense out of the new Father John Misty video for "Total Entertainment Forever." The song is, at least in part, an indictment against popular culture, the blind adoration of pop stars and the rampant obsession with virtual reality.

A broken heart can be enough to drive anyone completely mad. Just ask Highly Suspect frontman Johnny Stevens, who snaps his cap and trashes a thrift store after losing the love of his life in a new video for the song "Little One."

To be clear, Radiohead did not cover the reggaeton hit "Gasolina" at the band's April 17 show in Berkeley, Calif. But a video that's surfaced online sure makes it seem like they did.

For this week's show, Bob Boilen and I throw open the studio door to welcome a parade of guests from the NPR Music team, each sharing their favorite April releases. This includes Jake Witz, one of our fabulous Spring interns, who has some relatively restrained music from U.K. grime artist Mr. Mitch.

Ty Segall's new head-spinning video for the song "Break A Guitar" opens with a very brief cameo by Fred Armisen, before bursting into an ever-growing swirl of Kaleidoscopic images.

The War On Drugs is sharing its first new music since 2014's well-regarded Lost In The Dream. Clocking in at more than 11-minutes, "Thinking Of A Place" is both epic and wistful, with moody reflections and memories of a time gone by. And what do you know — it also includes some extended guitar shredding.

"Thinking Of A Place" will be a 45 RPM 12" release for Record Store Day this Saturday, April 22.

"Smell The Roses," the first song Roger Waters is sharing from his upcoming album Is This The Life We Really Want?, is a rage against complacency and an elegy to the American dream.

"Wake up and smell the roses," he sings. "There's nothing but screams in the field of dreams. Nothing but hope at the end of the rope."

Roger Waters is set to release his first album of all-new rock songs in nearly 25 years. Is This The Life We Really Want? was produced by Nigel Godrich (Radiohead, Beck, U2) and is due out June 2 on Columbia Records. Water's previous solo studio release was 1992's Amused To Death.

So I took last Friday off to clean out my garage and ended up using the time to listen to the new Kendrick record, DAMN. over and over again. It was a glorious, uninterrupted stretch of several hours, but even that wasn't enough to really understand everything he covers on it. DAMN. is dense, packed with religious imagery, deep thoughts on race, fame and identity, and a whole lot of personal stories and memories. Those are some initial observations.

This is one of those things that's been on the Internet for a while and for whatever reason is only now making its way to my eyeballs. But now that I've seen it, I can't look away.

Legend has it that the band Pink Floyd once played so loudly at a show that the sheer volume had killed all the fish in a nearby pond.

Now there's a new species of shrimp, named after Pink Floyd, that can kill fish by making a loud noise. Synalpheus pinkfloydi rapidly opens then snaps closed its large claw, creating a sound that can reach up to 210 decibels — louder than a typical rock concert and loud enough to kill small fish nearby.

When Tracy Chapman released her self-titled, debut album back in 1988, the 24-year old singer was widely praised for her acute observations on the struggles of working class Americans. The album was political and, for some, possessed the kind of anthems that could spark a revolution. Not long after releasing her album, Chapman sat down with NPR's Margot Adler to talk about both the singer's growing popularity and her battle against stereotypes as a black woman with a strong voice in the predominantly white world of modern folk.

Singer Kevin Morby is back with a followup to last year's much beloved full-length Singing Saw. The new album is called City Music and is due out June 16 on Dead Oceans. Morby has also shared the record's first single and lyric video, the moody and transfixing "Come To Me Now."

When Bob Boilen and I sat down to record this week's podcast, we were a little bleary-eyed after staying up late the night before to see the The Flaming Lips' show at the 9:30 Club here in Washington, D.C. But — between the band's confetti cannons, laser light show and the electric, rainbow-colored unicorn that frontman Wayne Coyne rode into the audience (I'm not making that up) — it was well worth the loss of sleep.

It's been nearly six years since the Fleet Foxes released any new music. But Tuesday morning the group announced it's got a new album coming in the spring called Crack-Up. In making the announcement, frontman Robin Pecknold shared a lyric video for a nearly nine-minute song called "Third of May / Ōdaigahara."

On its latest song and video, "Night Skiing," the instrumental rock group L.A. Takedown confirms that the guitar solo is alive and kicking.

It's perhaps the greatest immutable truth: Nothing lasts forever. Despite the most valiant efforts to hold on, all things pass, from the highest highs to the lowest lows.

Dirty Projectors frontman David Longstreth decided he couldn't wait any longer.

Spoon's latest video is a surreal, black-and-white tale shrouded in mystery. Nearly everyone in this three-and-a-half minute, funk-inspired jam wears a creepy mask or some sort of ogre costume while riding bikes, dancing, chasing and intermittently accosting one another. It's anyone's guess what it's all about, but it's a curious and compelling watch.

"I don't want to be the kind / struck by fear, to run and hide / I'll do better next time."

The more I hear from Laura Marling's upcoming album, Semper Femina, the more I'm convinced, over a career of intimate and beautiful work, that it's the most inspired, beautiful and fully realized thing she's done. The latest cut she's sharing from the record is "Next Time," a perfectly rendered vignette that captures the moment when solitude can lead to enlightenment.

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