Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

Ruminations is one of Conor Oberst's most personal records — and it was a surprise, even for its creator. He didn't intend to make an album — he was trying to recover from exhaustion after he was rattled by a health scare, a cyst on his brain. But when he left New York, N.Y., and moved back to his hometown of Omaha, Neb., the songs started coming. He recorded Ruminations on piano, guitar and harmonica in 48 hours during the winter after he moved home.

For as much as the election has dominated the news this year, the political cycle hasn't invaded the world of All Songs Considered. But this week we've got a remarkable cut by the band EL VY that's all about Donald Trump. "Are These My Jets?" is from 30 Days, 30 Songs, an online compilation album that features a new song by a new artist every day for the final thirty days leading up to the election. (For the record, NPR is not endorsing any candidate.

Today, Chuck Berry turns 90.

And today, the man who helped define rock 'n' roll celebrates by announcing his first album in 38 years.

The album is simply called CHUCK, and it features a hometown backing band that includes his children Charles Berry Jr. on guitar and Ingrid Berry on harmonica, along with his bassist for nearly 40 years, Jimmy Marsala. The album was recorded in Berry's hometown of St. Louis and will be out in 2017.

The Luck Mansion sessions was one of the coolest things at AmericanaFest 2016. In the parlor of an old mansion in East Nashville, the label Third Man Records and the mansion's hosts, the organization Luck Reunion, paired musicians together to record a song. But it was more social and way more laid-back than just that, with time and space for musicians to hang out, jam, talk, drink and eat together while figuring out what they would commit to tape. Some of the pairs, like John Paul White and Rodney Crowell, wrote an original tune.

This past week I was at the 17th annual Americana Music Festival & Conference in Nashville, listening to and having conversations with musicians. One songwriter and singer I've admired from the world of Americana during this decade is John Paul White, whom you may know as a former member of the duo The Civil Wars.

They came, they measured, and they returned to perform a show like no other. It was the great NPR Tiny Desk Takeover by Blue Man Group.

If you've not seen this performance ensemble and their production in New York, Las Vegas, Orlando, Boston, Chicago or Berlin, then you've missed a night of magical fun. These Blue Men may never say a word, but the performances make for poignant looks at who we are as humans. They also make unusual music on instruments of their own design.

They came, they measured, they built and they plotted. But first, they had to borrow a few things from the NPR office.

Blue Man Group designed new instruments and a small-scale show solely for a one-time performance at the Tiny Desk. Celebrate the group's 25th anniversary with this musical and comical adventure, which you can watch this Monday, Sept. 26, at npr.org/tinydesk.

For the past 25 years I've had this notion that on every successive Leonard Cohen record his voice would get deeper and deeper until one day he'd put out an album so subsonic that you'd just feel it, not hear it. Well, we're close. On this day, Leonard Cohen's 82nd birthday, he's given us a gift: It's dark, it's beautiful and it's deep. "You Want It Darker" is the title track to his soon-to-be-released album, his 14th studio album in his 49-year recording career. The album of nine songs, out Oct. 21, is produced by his son, musician Adam Cohen.

The Americana Music in Nashville is never quite what I think it will be. This week's All Songs starts with Yola Carter, a British singer of mixed race. Next is the white Australian C.W. Stoneking, sounding like blues legend Willie Dixon. The third song on the show is by Marlon Willams, a soulful young New Zealand singer. The common thread as we explore the newest and most promising voices at AmericanaFest is a love of folk, country, roots music, but how that gets interpreted varies, and that's where the fun is.

The Americana Music in Nashville is never quite what I think it will be. This week's All Songs starts with Yola Carter, a British singer of mixed race. Next is the white Australian C.W. Stoneking, sounding like blues legend Willie Dixon. The third song on the show is by Marlon Willams, a soulful young New Zealand singer. The common thread as we explore the newest and most promising voices at AmericanaFest is a love of folk, country, roots music, but how that gets interpreted varies, and that's where the fun is.

There is a magical new film by Bill Morrison, who has has garnered love and accolades for his films that use archival footage to tell new stories.

His work has been shown around the world, recently as part of a mid-career retrospective at the Museum of Modern Art in New York. Along with his use of found footage, Bill Morrison often teams up with modern composers. He's made films using music by Philip Glass, Harry Partch, Vijay Iyer and Bill Frisell which gives you an idea of his reach into both the world of classical, avant-garde and jazz.

There's a new film about Nick Cave & The Bad Seeds directed by Andrew Dominik called One More Time With Feeling. The setting of the film is a recording studio for a performance of songs from Skeleton Tree, the band's 16th studio album. But the backdrop to the film is tragic. In the summer of 2015, Nick Cave's 15-year-old son Arthur fell from a cliff while hallucinating on LSD. The film was made about five months later. Cave has not spoken at any length about his son, and this film is, in a way, his statement and thoughts on Arthur's death.

There's a long history of male singers with high lonesome voices, from boy choirs to Jimmie Rodgers, from Frankie Valli to Curtis Mayfield to Michael Jackson to The Weeknd.

I've missed Lisa Hannigan. Five years ago, the Irish singer-songwriter made an unforgettably beautiful record called Passenger. She came by to play a Tiny Desk concert that year, and then we had to wait for half a decade; it was tough, because I've missed her sad, delicate songs. It turns out the five-year gap wasn't her plan.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

There's new music from The Tallest Man On Earth. Though the song, "Rivers" feels familiar, there's an immediacy here, as though singer Kristian Matsson quickly captured a passionate moment in time. The voice is rawer and homespun, with lovely horns and piano accompanying a tale about leaving.

It's been five years since a new Bon Iver record, but at the band's performance last night at Justin Vernon's very own Eaux Claires Music Festival it announced and performed a new record called 22, A Million. The music is cryptic, angular, adventurous and brilliant. There's hardly any hint of that acoustic guitar which was such a part of the sound on Bon Iver's debut album, For Emma, Forever Ago, now almost ten years old.

A Moon Shaped Pool, Radiohead's ninth and quietest record, owes much of its sound to the band's visionary guitarist, violist, electronics wiz and arranger Jonny Greenwood. On this week's All Songs +1 podcast I talk with him about how A Moon Shaped Pool came to be.

The music of Kevin Morby is fairly straightforward and acoustic for the most part, with traditional, folk-based rock at its core. The mystery and intensity lies in the lyrics. His biting song "I Have Been To The Mountain," performed here at the Tiny Desk and on his 2016 album Singing Saw, was inspired by the 2014 chokehold death of Eric Garner at the hands of a New York City police officer.

That man lived in this town

Till that pig took him down

And have you heard the sound

What if you could see your favorite band in a living room, without all the background noise and cellphones you get at a live show? That's the question Rafe Offer, founder of Sofar Sounds, asked himself and a few friends after they'd seen a show where he couldn't even hear the band. Sofar Sounds operates around a simple idea: You gather together a few bands, a house in which they can perform, and an eager audience. However, the lineup isn't announced, which means the audience has no idea who's scheduled to perform until they arrive.

It's only June and this year is already jam-packed with remarkable new artists who've released some of 2016's most memorable music. These are artists who released their very first songs or first full-length albums so far this year.

Truth be told, when I saw the opening of this video, with Phaedra & Elsa Greene donning sunglasses and coordinated stars and stripes outfits, it felt trite: then the words kicked and the tone of the video along with my attitude, changed.

"America bleeds
The tears of a clown
Seeing stars
Behind bars."

Each year dozens of new artists become part of my life soundtrack. Last year Courtney Barnett, Soak, Ibeyi, Girlpool and many more all became a huge part of my listening for the year and some wound up on my final top ten list.

This year, Lucy Dacus, Big Thief, Margaret Glaspy, Mothers, Overcoats and Weaves are all part of my everyday listening, and are all artists making a debut either with their first album, EP or very first songs.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

The Beach Boys' 1966 album Pet Sounds marked a change in music that was barely noticed at the time. It began a revolution in rock as it transformed from simple entertainment to art. That change was even more dramatic because this introspective music came from a band famous for singing about surf, girls and cars; suddenly, they were singing songs like "I Just Wasn't Made For These Times."

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